Baptism of Memphis
15th NOVEMBER, MEMPHIS, TENNESSEE "The Mississippi delta is shining like a national guitar... I am following the river down the highway through the cradle of the Civil War..." Well... I'm not exactly making Paul Simon's romantic highway journey, because I'm descending into Memphis from the grand height of 35,000 feet in the packed, cramped and deeply unpleasant Flight NW1815 from Jacksonville. Northwest Airlines deserves some sort of award for services to claustrophobia with this early morning nightmare.
But this day is about to get better in a serious way. By 8.30am I'm standing on a grassy bluff high above the beautiful brown waters of the Mississippi as it powers through town. The saintly, soft-spoken Paul Brown, professor of homiletics and worship at Memphis Theological Seminary, rescued me from the airport and sensibly drove me straight here to get a shot of agrophobia as the perfect antidote to the flight.
I've never seen the Mississippi before. I've never seen a river anywhere near this big before. It is monumental in its size and dignity, even though it's rather reduced at the moment after a long, dry summer. I climb down the steep, rocky slope to the edge of the water to put my hand into the river. The wind is cold here this morning, but the water is cool on my fingers. Looking out across the river from surface level, I can see the current properly and it's swift and relentless, alarming for a river of this width and depth. This is a river with presence, with attitude. And of course with stories.
I'm not speaking here until tomorrow, so with an afternoon free, Nancy McSpadden, the seminary's librarian and dean of chapel, drives me through town, past churches without number and along Elvis Presley Boulevard. The sun is shining madly. I open the window. It's a hot day. "I'm going to Graceland, Graceland, in Memphis, Tennessee, I'm going to Graceland... I've reason to believe we both will be received in Graceland..."
Nancy and I bypass Elvis's mothballed jet airplane and go straight for the small shuttle bus which sweeps us across the road, through the sacred gates and up the winding drive, right to Elvis's doorstep, beneath a white colonnaded portico, southern style. The tour is guided by headphones and a cassette and is unexpectedly fascinating. I'm no Elvis fan, but there something intoxicating about seeing so directly into the private world of a person who is this god-like.
Here is Elvis's piano, glimpsed through tasteless stained glass panels in the living room. Here is his oval dining table, positioned so that he could watch one of Graceland's 14 television sets while entertaining guests. Here is momma's bathroom, with purple tiles and wallpaper with poodles on it. The house is quite small and intimate, making you feel that you could bump into Elvis round any corner... and maybe we will, if he gets home early from the gas station or wherever else he's been appearing recently.
And of course, the costumes. This has to be the best thing of many best things about Graceland. Not just the big, bloated costumes from the end of his life, with chunky belts and rhinestones, but simple things like a dark jacket which even I recognize on sight from one of his famous early photographs. Next to the jacket, a picture of Elvis in the jacket... you look from one to the other, checking the cut, the lapels, the buttons. You can almost feel the presence of the person who once filled it and made it famous. Being here reminds me of saints and relics and why they have such a powerful grip on the imagination.
After my baptism in the Mississippi and encounter with Elvis, it would be greedy to expect anything more exciting than an early night with a cup of cocoa, but Beale St, birthplace of the blues in downtown Memphis, beckons. Paul, Nancy and I wander the street for a while, sampling the music spilling out of the clubs, and settle on "This Is It", a restaurant and music lounge in the middle of the street. Onstage in the restaurant window is The Dynamic Band, playing blues, soul and even the occasional bluesed-up country and western number... but the slow blues tunes are the ones which make me glad to be alive to hear them, here and now...
I'm gonna get me a hoochy mama,
I gotta put a smile back on my face.
I'm gonna get me a hoochy mama,
I gotta put a smile back on my face.
I'm gonna get me a hoochy mama,
Ain't got no pride ain't got no shame.
I think of the rolling river and feel the music washing over me. And I think of my journey home from Memphis to London tomorrow and how I couldn't have wished for a better farewell to this country which has been my temporary home for two weeks.
Church growth on steroids
16th NOVEMBER, MEMPHIS, TENNESSEE My lecture at 11 o'clock this morning is the last of the 12 talks I've given in America, and when it's over I feel suddenly light and ready for something crazy... like visiting Bellevue Baptist, the megachurch on the edge of town. Jolinne, a student at the seminary, offers to take me there, so we head uptown in her car.
Bellevue is church growth on steroids. It was probably once a decent Baptist church which started snacking on the wrong stuff, expanded rapidly and then popped all its buttons, without anyone seeing what a bulging monster it had become. Instead, the leaders, Southern Baptists all, moved the show out of town so it could grow even more, built a 7,000-seater sanctuary for it and started bussing people in from Memphis for the services, sucking the life out of local churches in the process. The church is now so big that an exit from the highway was specially built for it.
Doris is the tour guide for our visit and helpfully tells us the statistics as we walk round: 24 ordained ministers, 700 Sunday school teachers, 23 kitchens, 78 water fountains, 11 acres of plush carpet. Hiking across that carpet near the grand entrance, we see a 9,000-piece chandelier that is probably powered by Bellevue's own hydroelectric power plant and has been valued at a quarter of a million dollars. How God went ballistic over the Tower of Babel but approved all this is already giving me a theological headache.
The crowning glory is the Singing Christmas Tree. Every December, the church runs special carol concerts, featuring a gigantic helter-skelter in green plastic fir, festooned with golden drapes, multi-colored lights and a 100-strong choir standing on ascending tiers, with a solitary singer right at the top. The tree then proceeds to sing carols, presumably to the delight of the audience, while staff concealed inside stand ready to offer help to choir members who overheat, suffer from vertigo or are tempted to end it all to the strains of "Have yourself a merry little Christmas".
I look at the photos of this surreal concoction a tree with 100 human faces, surrounded by cute Disney-like houses in blue and pink and marvel at how everything at Bellevue has to be XXL. Their advance planning team are probably working on a five-story high stuffed Christmas turkey, floating on a 5,000-gallon lake of steaming sauce, ready to roll as soon as genetic engineering makes it possible.
As we leave, Doris reminds us: "Be sure to come back for the Passion Play. My favorite part is when the curtain of the temple is rent, and when they do the earthquake you can really feel it. Broadway shows can't hold a candle to it."
Thoughts in a yellow taxi
17th NOVEMBER, MANHATTAN, NEW YORK Travelling across the East River by taxi into Manhattan on my last night in America, watching the black shapes of skyscrapers, pinpricked with thousands of lights, slide past each other like a scene from a sci-fi movie. It reminds me of a line of Woody Allen from his film "Manhattan", where he's in a taxi with a gorgeous girl and says: "You're so beautiful, I can hardly keep my eyes on the meter."
The city is beautiful. It feels like home, coming here for one last night.
I think of the people and places I've visited, of how there is now snow falling in Ithaca, New York, while Florida enjoys sunshine which any English summer would envy. I think of the homage I've paid to the cultural icons Elvis and Col. Sanders and I think of bluegrass and bourbon, of the Mississippi and the blues. And I'm full of thanks to all the people who have welcomed me and shared their home, their refrigerator, their Internet connection... Thank you, everyone: you made this tour possible and then you made it impossible to forget.